With such novels as and , Edward Rutherfurd has laid claim to place, in which the characters tend to play second fiddle to the setting. The Forest is the most ambitious example yet of Rutherfurd's art. This time the location is that bosky patch of English real estate known as the New Forest. Other writers have tackled the area before. But The Forest is surely the definitive chronicle, with all the local stories, legends, and apocrypha woven into an irresistible narrative--think of
Opening with the assassination of King William II in 1099, the book covers nearly a millennium's worth of history. Rutherfurd creates generation after generation of adroitly realized characters, the best of whom defy our generic expectations: the canny Brother Adam, for example, is that rarest of literary creatures, a virtuous man who doesn't end up being simply bland and anodyne. Rutherfurd may be at his best when dealing with big-canvas events like the bloody Monmouth Rebellion of 1685. But he's no slouch at detailing more microcosmic conflicts, like this head-butting contest between two buck deer:
Her buck had hit firmer ground and his feet suddenly got a purchase on the grass. His hindquarters shivering, he dug in. She saw the shoulders rise and his neck bear down. And now the interloper was slipping on the wet leaves. Slowly, cautiously, their antlers locked, the two straining bucks began to turn. Now they were both on grass. Suddenly the interloper disengaged. He gave his head a twist. The jagged spike was aiming at the buck's eye.
Bestial behavior? Perhaps. Yet the level of human folly and brutality scattered throughout The Forest makes the foregoing passage resemble an outtake from Bambi--and gives this sylvan saga a very memorable edge. --Barry Forshaw
From Library Journal
As he did most recently--and with greater success--in London (LJ 6/15/97), Rutherfurd offers a sweeping picture of an area of England by focusing on a few families who lived there. This time he concentrates on the New Forest, part of the southern coast of England bounded by the English Channel. Rutherfurd traces the lives of peasants, smugglers, churchmen, woodsmen, and upper-class families from the 11th to the 20th centuries. These assorted men and women take part in the events surrounding the death of King Rufus (William the Conqueror's son), the failure of the Spanish Armada, England's Civil War, and more. Rutherfurd has always used his characters more as placeholders in history than as living human beings, but those in The Forest are particularly one-dimensional. That, plus the annoyingly Michener-like didactic tone of the narrative, makes this a hard book to recommend, even for fans of Rutherfurd. Still, readers looking for a fictional overview of English history will find it here in spades. Think of it as a Cliffs Notes with much heft. -Nancy Pearl, Washington Ctr. for the Book, Seattle Copyright 2000 Reed Business Information, Inc.
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Amazon.com Review
With such novels as and , Edward Rutherfurd has laid claim to place, in which the characters tend to play second fiddle to the setting. The Forest is the most ambitious example yet of Rutherfurd's art. This time the location is that bosky patch of English real estate known as the New Forest. Other writers have tackled the area before. But The Forest is surely the definitive chronicle, with all the local stories, legends, and apocrypha woven into an irresistible narrative--think of
Opening with the assassination of King William II in 1099, the book covers nearly a millennium's worth of history. Rutherfurd creates generation after generation of adroitly realized characters, the best of whom defy our generic expectations: the canny Brother Adam, for example, is that rarest of literary creatures, a virtuous man who doesn't end up being simply bland and anodyne. Rutherfurd may be at his best when dealing with big-canvas events like the bloody Monmouth Rebellion of 1685. But he's no slouch at detailing more microcosmic conflicts, like this head-butting contest between two buck deer:
Bestial behavior? Perhaps. Yet the level of human folly and brutality scattered throughout The Forest makes the foregoing passage resemble an outtake from Bambi--and gives this sylvan saga a very memorable edge. --Barry Forshaw
From Library Journal
As he did most recently--and with greater success--in London (LJ 6/15/97), Rutherfurd offers a sweeping picture of an area of England by focusing on a few families who lived there. This time he concentrates on the New Forest, part of the southern coast of England bounded by the English Channel. Rutherfurd traces the lives of peasants, smugglers, churchmen, woodsmen, and upper-class families from the 11th to the 20th centuries. These assorted men and women take part in the events surrounding the death of King Rufus (William the Conqueror's son), the failure of the Spanish Armada, England's Civil War, and more. Rutherfurd has always used his characters more as placeholders in history than as living human beings, but those in The Forest are particularly one-dimensional. That, plus the annoyingly Michener-like didactic tone of the narrative, makes this a hard book to recommend, even for fans of Rutherfurd. Still, readers looking for a fictional overview of English history will find it here in spades. Think of it as a Cliffs Notes with much heft.
-Nancy Pearl, Washington Ctr. for the Book, Seattle
Copyright 2000 Reed Business Information, Inc.