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From Publishers Weekly

Hambly's brilliantly crafted eighth historical (after 2003's Days of the Dead) brings the antebellum South so alive you could swear the author traveled back in time to observe her settings firsthand. One day a week the slaves of New Orleans gather at Circus Square (aka Congo Square): "Those who had garden plots sold their surplus produce: tomatoes and corn… and peaches whose scent turned the thick hot air around them to molten gold." Series hero Benjamin January, a former slave, and his gracious wife Rose own a fine home in which they've begun a school to educate young girls of color. But when the president of the bank where all the Januarys' money has been deposited comes to them and confides that a bank employee has cleaned out the coffers, the pair have only one choice: follow the thief and recover the money before a substantial payment is due on their mortgage. Enlisting the aid of their cultured and charming white ne'er-do-well friend, Hannibal Sefton, the two pose as Hannibal's slaves/servants and board a steamboat heading up the Mississippi River. On the boat, they find themselves amid slave runners, abolitionists and a host of interesting, unsavory and downright terrifying individuals. So when their quarry is transformed into a corpse, it's no wonder the trio have no idea who might be trusted. This riveting novel of suspense is sure to win Hambly many new fans.
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From

The latest entry in the deservedly popular Benjamin January series finds the amateur sleuth investigating a couple of mysteries. The bank that holds all his money has suddenly and suspiciously collapsed, and someone has apparently put a curse on a former student in the small school operated by January's wife, Rose. Just goes to show: New Orleans, circa 1836, is a wild and dangerous place. The January novels--this is the eighth since 1997--are solid mysteries, but most readers are not tuning in for the plots. Perhaps because she started out writing sf and fantasy novels (and still keeps her hand in the genre), the author has a sure grasp of the art of writing historical fiction, and the novels in this series are clever mixtures of scholarship and imagination. Where many writers of historical mysteries get bogged down in exposition, or in cataloging details that most readers are not interested in, Hambly keeps things moving, always focused on her characters and her story, and not on showing off the quantity of research she's done. Keep 'em coming! David Pitt
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